Athanasius Kircher was a renowned Jesuit scholar of the 17th century, he was called the “Renaissance man” and is often described as an enigmatic intellectual, due to his wide range of interests in subjects like linguistics, geology, music, etc. He is also credited as the founder of Egyptology, although later on, most of his translations needed to be corrected. He was born in 1601 or 1602 (He also did not know) in Geisa, Germany, and was a Jesuit priest who dedicated his life to learning and spreading knowledge. One of Kircher’s most famous works is China Monumentis Qua Sacris quà Profanis, Nec non variis Naturæ & Artis Spectaculis, Aliarumque rerum memorabilium Argumentis Illustrata, published in 1667. Commonly only referred to as China Illustrata, this study of China was written for the purpose of introducing the West to a culture that was so foreign to European scholars.
In China Illustrata, Kircher tried to decipher China’s mysteries through different perspectives, capturing not only the religious side but also its artistic achievements, nature, history, etc. As it turns out, Kircher never actually visited China, he instead gathered an impressive collection of second-hand accounts from missionary reports, letters, and artifacts sent by his fellow Jesuits who were exploring China. His work definitely reflects the intellectual curiosity about understanding China’s traditions, practices, and worldview. A great portion of China Illustrata focuses on religion and spiritual symbols, he provides extensive explanations of Chinese philosophies of Confucianism, Buddhism, and Taoism in an attempt to present these to European scholars who were unfamiliar with such systems of thought. He was particularly fascinated by China’s sacred temples, shrines, and rituals, which he believed were key to understanding the country’s culture and moral values.
What is most impressive about this book is its physical characteristics, China Illustrata, which are as remarkable as its content. Interestingly, the copy referenced here features a variant engraved title page stating it was printed in Amsterdam in 1667 by “Sara Weyerstraet”, the widow of one of the original publishers. However, this is actually an Antwerp counterfeit edition printed by the publisher Meursius. The distinction between these editions adds another layer of historical intrigue to the already fascinating work.
The original publication includes:
One of the most valuable aspects of China Illustrata is Kircher’s discussion of the different routes to China, including overland routes taken by missionaries such as Johann Grueber and Albert d’Orville. This part of the book also includes the history of Christianity in China, from the legend of St. Thomas to the experiences of Jesuit missionaries like Adam Schall during the Ming and Qing dynasties. One of the most impressive sections is Kircher’s discussion of the Chinese language. He included a Latin-Chinese dictionary, and the work contains early European attempts to understand the Chinese writing system. Kircher’s study of Chinese language and his inclusion of Chinese characters in print was pioneering for its time. China Illustrata remains one of the most important 17th-century works on China, serving as a key source for European writers and scholars for many years after its publication. Although Kircher never traveled to China himself, his compilation of other missionaries’ accounts, illustrations, and translations laid the groundwork for future European studies of China and other parts of Asia.
In many ways, China Illustrata is a testament to the Jesuit mission’s intellectual ambition. It preserves the knowledge gathered by Jesuit explorers and scholars, some of whom risked their lives to document their journeys and experiences. Kircher’s ability to compile and synthesize these reports into a single, cohesive volume made China Illustrata a landmark publication in the study of China.
Art often bridges the past and present, connecting us to centuries-old traditions while sparking deeply personal creativity. My recent experience in a Chinese Arts and Culture class beautifully encapsulated this idea.
Recently, I had the opportunity to participate in a volunteering activity that left a deep impression on me. It was a day dedicated to cultural exchange, creativity, and a wonderful reminder of the vibrancy of tradition — both Chinese and beyond.
The past few weekends have been some of the most exciting of the entire semester, full of trips to the zoo, mountain hikes, ancient parks, and more! Our first trip out of many was a visit to the Beijing Zoo. I had mentioned earlier in the semester that I wanted to see some pandas, since I was in China after all, and our TBC friend Andy made it happen.
Last year, The Beijing Center (TBC) celebrated its 25th anniversary with a dinner that was not just about marking a milestone but about embodying the Jesuit tradition of service and community impact.
